15Oct 2019

ANDROID VERSUS HUMANS IN ALAN AYCKBOURNS COMIC POTENTIAL

  • Associate Professor, Department of English, Faculty of Arts, Benha University, Egypt
  • Abstract
  • Keywords
  • References
  • Cite This Article as
  • Corresponding Author

In recent years, science fiction has been attracted by researchers but this trend has not expanded to literature. There are many playwrights who fall into the category of science fiction as Robert Anderson, Edward Bond, John Guare, David Henry Hwang, Sam Shepard, J.B. Priestly and Alan Ayckbourn. But despite the fame of their authors, they seemed to have little or no connection to the science fiction community. Rarely has a science fiction writer embraced by this community ventured into theatre, and rarely has science fiction playwriting aroused interest among science fiction audiences. Thus, the aim of this study is to explore that the door is still opened to a new dimension of the theatre which will raise playwriting above the ordinary. This idea is through Alan Ayckbourns (1939- ) science fiction play Comic Potential (1999). His play illustrates Ayckbourns innovation of new methods and ideas that take place in the future and beyond expectation. It explains how Ayckbourn skillfully deals with comedy in order to stir both laughter and bewilderment of his audience.


  1. Allen, Paul. A Pocket Guide to Alan Ayckbourns Plays. London: Faber & Faber, 2005-----------.
  2. Alan Ayckbourn: Grinning at The Edge. London: Methuen, 2001.
  3. Allsopp, John. ?Comic Potential? in John Pattison.http://www.johnpattisoncom/comic.html.2001. Access date [July 30, 2016.
  4. Asimov, I. ?Science Fiction, I love you? in Alternate Worlds: The Illustrated History of Science Fiction (9-11). Englewood, NJ: Prentice-Hall, 1975.
  5. Ayckbourn, Alan. The Crafty Art Playmaking. New York: Palgrave Macmillan, 2003.
  6. --------------------. Comic Potential. London: Faber &Faber, 1999.
  7. Bacon, C. Smith. Science Fiction Culture. Philadelphia: University of PennsylvaniaPress, 2000.
  8. Billington, Michael. Modern Dramatists: Alan Ayckbourn. London: Macmillan, 1992.
  9. Brown, J. Russel. Ed. Modern British Dramatists: A collection of Critical Essays. New Delhi: Prentice-Hall of India, 1980.
  10. Clute, J. & Nicholls, P. Eds. The Encyclopedia of Science Fiction. New York: St. Martins Press, 1993.
  11. Dragon Con. Welcome to Dragon Con. http://dragoncon.org/2016 .Access date [March 18, 2016].
  12. Gunn, J. The Road to Science Fiction: From Gilgamesh to Wells. Lanham, MD: Scarecrow Press, 2002.
  13. Heinlein, R.A. Tomorrow, The Stars. New York: Berkeley Medallion Books, 1959.
  14. Kincaid, P. ?On the origins of genre?. Extrapolation, 44, 2003. 409-419.
  15. Levy, David. Love and Sex with Robots: The Evolution of Human-Robot Relationships. New York, NY: HarperCollins, 2007.
  16. Mcveilly, Wills. E. Science Fiction: The Academic Awakening, Shreveport, LA: The College English Association, 1974.
  17. Roger, Elwood. Ed. Six Science Fiction Plays. New York: Washington Square Press, 1976.
  18. Richardson, Tim. ?Comic Potential: World Premiere Reviews?. Country Life.http://comicpotential.alanackybourn.net/styled-8/index.html.1998. Access date [May 3, 2016].
  19. Williams, Jessica. ??Comic Potential brings robot love to the stage?. http://dukechronicale.com/staff/jessica-williams.2015. Access date [June 18, 2016].

[Sherine Mostafa El Shoura (2019); ANDROID VERSUS HUMANS IN ALAN AYCKBOURNS COMIC POTENTIAL Int. J. of Adv. Res. 7 (Oct). 1034 -1040] (ISSN 2320-5407). www.journalijar.com


Sherine Mostafa El Shoura
Department of English, Faculty of Arts, Benha University, Egypt

DOI:


Article DOI: 10.21474/IJAR01/9919      
DOI URL: https://dx.doi.org/10.21474/IJAR01/9919